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Archive for July, 2010

Long, long, long time You Know, For Kids! reader, Joe, has tracked down and managed to interview Isabelle Townsend, the actress who played “Beauty” in Barton Fink. Below you can find the email exchange;

Greetings Mrs. Townsend,
Thank you for accepting our invitation to answer a few questions about “Barton Fink”. Much like the Maltese Falcon or Rosebud, your role as “Beauty” is an icon of cinema, and we appreciate your taking the time to share your experience in the making of a masterpiece. On to the questions…

Q: According to IMDB, “Barton Fink” was your first film. How did that role come about for you, and do you recall the process of being cast? For instance, did you have to audition, or do you recall your first meeting with the Coen Brothers? How was that first meeting, and how did the Coen’s describe the role to you?
Isabelle Townsend:
Yes it was my first role and I had an audition with Joel and Ethan in NYC. They both made a big effort to put me at ease as I was painfully shy at the time. They didn’t talk much about the role. They just asked me if I had read the script. I didn’t hear for a long time and I knew they were seeing a lot of actresses in Los Angeles. One day my agent called to tell me the role was mine on one condition: Loose the British accent!

Q:
What was it like to be involved in “Barton Fink”? Did you enjoy your time? Did you have an opportunity to read the script in advance? How long were you required on-set? Do you recall participating in post-production ADR? It sounds as if your voice is dubbed slightly.
Isabelle Townsend:
It was a one day shoot at Zuma beach near LA on a sizzling hot day. I remember thinking how relaxed and professional everybody was. I had read the script twice before the audition, so I felt prepared. I did participate in post-production ADR.

Q:
What were your thoughts going into the production, and did your expectations differ from the reality of your experience working on “Barton Fink”? Did the Coen’s give specific direction or make any requests of your performance?
Isabelle Townsend:
I remember enjoying going to a fitting for the bathing suit which was custom made. I don’t remember rehearsing the scene with John Turturro. We just had a nice chat before shooting. I remember walking down the beach for technical rehearsal and going up to Joel and Ethan at some point for directions. They just said to do it as it’s written in the script. Joel said” Isabelle, you can do this with your eyes closed!” I guess that was all I needed to hear.

Q: The photo hanging in Barton Fink’s hotel room varies slightly from your scene at the end of the film. Are you pictured in the actual photo, and if so, was that a separate day of shooting? Can you tell us how the hotel photo came about?
Isabelle Townsend:
Yes I am pictured above Barton’s desk in the hotel room and it was a separate day of shooting.

Q:
Speaking of the photo, were you able to keep any production keepsakes? Many have wondered where the original photograph ended up. Is that hanging in an office somewhere? Do you have any personal photos from the set that you would be willing to share?
Isabelle Townsend:
I was not able to keep any production items and the picture is not hanging in my office!I have no pics to share. Wish I did!

Q: The final shot of the film includes yourself in the foreground with a bird diving into the ocean background. According to many accounts, the inclusion of the bird was not intentional. It’s easy to imagine the crew having a good laugh as the bird “ruined” the shot, but do you happen to recall that moment? Was the diving bird noticed or acknowledged on-set?
Isabelle Townsend:
The bird was not intentional! I remember reading an interview of Joel and Ethan joking that the bird was in the script and they had always been lucky with birds…everybody on set had a good laugh about it. It’s Joel and Ethan’s genius to use moments such as this.

Q: Did you attend the premier at Cannes Film Festival, and was that the first time you saw the film? What was that like? What did you think of the film when you first saw it? When was the last time you watched Barton Fink?
Isabelle Townsend:
I did not attend the premier in Cannes film Festival, but I did get a chance to go to a production screening. I think the last scene reflects Barton’s state of mind, the nightmare he had gone through, the fact that he had lost his sanity. The scene has a soothing effect. I’ve been told it felt like a breath of fresh air. “Beauty” is not in the entertainment business, as Barton seems to think…perhaps she knows better…she may even know about writer’s block as she stares back at the horizon and its emptiness.

Q:
Did “Barton Fink” change the direction of your career? Have you ever been recognized as “Beauty”?
Isabelle Townsend:
Yes, I got an agent and I did get recognized as “Beauty” without the tan!

Q:
The Coens have discussed filming a sequel to “Barton Fink” called “Old Fink”, and while we have no idea what the script might include, I wonder if “Beauty” might make a cameo. Interested?
Isabelle Townsend:
I am not aware of a sequel. Of course I would be interested. Let me know if you hear anything further.

Q:
Have you enjoyed any of the other films by the Coen Brothers? Care to name a favorite? Also, do any memories stand out to you when thinking back to your involvement in “Barton Fink”? Any anecdotes welcome!
Isabelle Townsend:
I am a huge fan of Joel and Ethan’s work. They are simply brilliant. I enjoyed among others “Hudsucker Proxy”, “Raising Arizona” and “Fargo” which I did go to the premier of in Cannes and saw Joel and Ethan again afterwards at the party in a cloud of artificial snow!

All the best,
Isabelle Townsend

Thanks are due to Joe who has contributed a lot to YKFK over the years. Thanks, Joe (and sorry it took me so long to get around to posting this up!).

The Power of Data Visualization website has an infographic detailing the budgets, box offices, genres, Rotten Tomato scores and Oscar noms/wins of all 14 Coen brothers movies. The most interesting thing on it, if you ask me, is that The Hudsucker Proxy scores only 59% on Rotten Tomatoes!

See it here.

MTV Movies Blog caught up with Jeff Bridges recently ostensibly to talk about the new Tron sequel, Tron Legacy but they “couldn’t resist” asking him about a possible Big Lebowski sequel. To which he replied;

“We talked about it occasionally [while making 'True Grit'], but no plans man, no plans. No, no, no, I don’t think it’s gonna happen.” After a pause, and with a sly grin on his face, he teased, “But if it happens — what a wonderful surprise!”

It certainly would, Jeff. It certainly would…

The Coen brothers’ debut feature, Blood Simple, is coming out on Blu-ray and coming out very soon indeed. I just stumbled upon it really and I have no information other than it comes in a Blu-ray and DVD combo set and is out in the US on August 3rd! It’s not even certain if it’s the original cut of the 2001 Director’s Cut. Also for those of us not in the US, MGM have a 50/50 record on whether they make their discs region free or not so I’ll keep an eye on it and let you know if there is any confirmation one way or the other.

Bill Murray I’m sure most of us would agree is a living legend with a brilliant filmography marred somewhat by the inclusion of the grim Garfield movie of 2004 and its sequel two years later. What does this have to do with the Coen brothers? Well something… and nothing…

He explained in a recent interview that he only took the gig because he mistakenly though Joel Coen was involved. Unfortunately for Mr. Murray it wasn’t our Joel, the Joel from the Coen brothers but Joel Cohen (with a crucial H in the middle), writer of the original Toy Story (yay!) and masterpieces like Cheaper By The Dozen (un-yay!).

Let Bill explain…

“I thought it would be kind of fun, because doing a voice is challenging, and I’d never done that. Plus, I looked at the script, and it said, “So-and-so and Joel Coen.” And I thought: Christ, well, I love those Coens! They’re funny. So I sorta read a few pages of it and thought, Yeah, I’d like to do that. I had these agents at the time, and I said, “What do they give you to do one of these things?” And they said, “Oh, they give you $50,000.” So I said, “Okay, well, I don’t even leave the fuckin’ driveway for that kind of money.

“Finally, I went out to L.A. to record my lines. And usually when you’re looping a movie, if it takes two days, that’s a lot. I don’t know if I should even tell this story, because it’s kind of mean. [beat] What the hell? It’s interesting. So I worked all day and kept going, “That’s the line? Well, I can’t say that.” And you sit there and go, What can I say that will make this funny? And make it make sense? And I worked. I was exhausted, soaked with sweat, and the lines got worse and worse. And I said, “Okay, you better show me the whole rest of the movie, so we can see what we’re dealing with.” So I sat down and watched the whole thing, and I kept saying, “Who the hell cut this thing? Who did this? What the fuck was Coen thinking?” And then they explained it to me: It wasn’t written by that Joel Coen.”

For me though, it is great, bordering on spectacular news that Murray is keen to work with the Coens. I hope they’re reading…

That’s right, as part of their 25th anniversary season the Atlantic Theater Company have yet another Ethan Coen play on. All that is known so far about this one is that it’s called Four Pickups, is directed (again) by Neil Pepe and is showing at St. Anne’s Warehouse in April-May.

This, of course follows, Ethan’s plays, Offices and Almost An Evening.

Thanks to David for the shout.